Digital can work better for electronic music but it still feels a little cold and clinical at times.
Master Active/Passive 2in1 option: like You have 2 type of summing mixer in the box: youtube
Benefits: Different amp = Different sound character
Depending of your music production you can use internal transformer "nice harmonics colour sound" transformer based amplifiers like Neumann/Filtek/Lawo
If you need something else more "transparent no colour sound" you can go by your micpre or DAW instrument input or DAW micpre amps.
Master Send/Return option: SEND master signal to external EQ, Comp, Limiter
Stereo to Mono input switch: For mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2, 3 & 4 etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. youtube Stereo to Mono
ASK-AUDIO: Tony Vincent Reveals His Studio & Production Tools
Recently I have moved to a summing mixer by VintageMaker a 24x4 unit that’s been made to order for me read more on ask.audio............
Tony Vincent official https://www.tonyvincent.com/
2in1 Active/Passive Neumann 24x4 TRS/DSUB in /TRS out 4xSTM 1xSND/RET Minimal
Price: order
Custom made for Tony Vincent Productions by VintageMaker
Master Active/Passive 2in1 option: like You have 2 type of summing mixer in the box: youtube
Benefits: Different amp = Different sound character
Depending of your music production you can use internal transformer "nice harmonics colour sound" transformer based amplifiers like Neumann/Filtek/Lawo/NE2OX.
If you need something else more "transparent no colour sound" you can go by your micpre or DAW instrument input or DAW micpre amps.
Master Send/Return option: SEND master signal to external EQ, Comp, Limiter
Stereo to Mono input switch: For mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2, 3 & 4 etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. see on youtube Stereo to Mono
CONTACT FOR UNIQUE SETUP : vintagemaker@gmail.com
2in1 Active/Passive Neumann 24x4 DB25 in /TRS out 4xSTM SND/RET
Price: order
Master Active/Passive 2in1 option: like You have 2 type of summing mixer in the box: youtube
Benefits: Different amp = Different sound character
Depending of your music production you can use internal transformer "nice harmonics colour sound" transformer based amplifiers like Neumann/Filtek/Lawo/NE2OX.
If you need something else more "transparent no colour sound" you can go by your micpre or DAW instrument input or DAW micpre amps.
Master Send/Return option: SEND master signal to external EQ, Comp, Limiter
Stereo to Mono input switch: For mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2, 3 & 4 etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. see on youtube Stereo to Mono
CONTACT ME FOR UNIQUE SETUP : vintagemaker@gmail.com
2in1 Active/Passive Neumann 20x6 TRS in /TRS out 4xSTM SND/RET summing mixer
Price: order
Master Active/Passive 2in1 option: like You have 2 type of summing mixer in the box: youtube
Benefits: Different amp = Different sound character
Depending of your music production you can use internal transformer "nice harmonics colour sound" transformer based amplifiers like Neumann/Filtek/Lawo/NE2OX.
If you need something else more "transparent no colour sound" you can go by your micpre or DAW instrument input or DAW micpre amps.
Master Send/Return option: SEND master signal to external EQ, Comp, Limiter
Stereo to Mono input switch: see on youtube the Stereo to Mono
3in1 Neumann/Lawo/Passive 24x4 TRS in / TRS out 4xSTM 1xSND/RET
Price: order
Stereo to Mono input switch: youtube Stereo to Mono function
Phase inversion is a subtle, yet versatile music production tool capable of many distinguished feats. First, what is phase inversion? Inverting a wave’s phase means swapping the location of its peaks and troughs. This creates cancellation when peaks of one wave coincide with the troughs of the other wave.
The word 'Mono' is panned absolutelly center. This means both Left and Right speakers reproduce the same word 'Mono' at the same volume. This also sounds 'mono' and so panned to the middle.
Checking your mix for Mono compatibility as you go is a good preventative measure. Sometimes just because a mix sounds good in stereo doesn't mean it will sound good when the left and right channels are combined into a mono signal. In some cases, you may hear what is known as comb-filtering, which will color the sound of your mix and cause peaks and dips in its frequency response. In some cases, instruments may lose their integrity or even seem to completely disappear from the mix!
Reversing the phase of the right channel and mono-ing it with the left and sending the result to both speakers is particularly useful for assessing the width content of your mix and distortion characteristic by effectively replacing the ‘centre image’ with the out-of-phase information.
This provides an excellent way to check mono compatibility and to also learn spatial tricks from your favourite reference material.
Professional audio equipment intended for use with balanced lines may have a ground lift switch for the cable shield. The ground lift switch eliminates unwanted hum and buzz by interrupting the ground loops between equipment, preventing current flow along the cable shield between two devices. The switch disconnects pin 1 on the XLR jack, Sleeve/Ground on TRS balanced jack.
2in1 Active/Passive Neumann 24x8 DSUB in /DSUB out 4xSTM 2xSND/RET Phase/Mono ABCD out control Ground Lift option
Price: order
Master Active/Passive 2in1 option: like You have 2 type of summing mixer in the box: youtube 2in1
Benefits: Different amp = Different sound character
Depending of your music production you can use internal transformer "nice harmonics colour sound" transformer based amplifiers like Neumann/Filtek/Lawo/NE2OX.
If you need something else more "transparent no colour sound" you can go by your micpre or DAW instrument input or DAW micpre amps.
Master Send/Return option: SEND and RETURN the master signal to external EQ, Comp, Limiter
Multiple SEND/RETURN: You can connect in CHAIN more than one external processor like Eq, Comp,Limiter, each processor have their DEDICATED Send/Return on the summing side, you can select or deselect - Send or Bypass the desired external gear in the chain for example:
Input Chanel SEND/RETURN: for external process of signal before enter in to the summing network
RETURN signal can bypass or enable by two position switch:
Stereo to Mono input switch: For mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2, 3 & 4 etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. https://youtu.be/VK9YBU7J7Gg
Price: order
Price: order
Price: order
Stereo to Mono input switch: . https://youtu.be/VK9YBU7J7Gg
CONTACT ME FOR UNIQUE SETUP : vintagemaker@gmail.com
2in1 Active/Passive Neumann 24x4 DB25/TRS in /TRS/XLR out 4x Stereo To Mono Direct input A/B CTRL
Price: order
Price: order
The word 'Mono' is panned absolutelly center. This means both Left and Right speakers reproduce the same word 'Mono' at the same volume. This also sounds 'mono' and so panned to the middle.
Sometimes just because a mix sounds good in stereo doesn't mean it will sound good when the left and right channels are combined into a mono signal. In some cases, you may hear what is known as comb-filtering, which will color the sound of your mix and cause peaks and dips in its frequency response.
Price: order
Master Active/Passive 2in1 option: like You have 2 type of summing mixer in the box:
Benefits: Different amp = Different sound character
Depending of your music production you can use internal transformer "nice harmonics colour sound" transformer based amplifiers like Neumann/Filtek/Lawo/NE2OX.
If you need something else more "transparent no colour sound" you can go by your micpre or DAW instrument input or DAW micpre amps.
Stereo to Mono input switch: For mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2, 3 & 4 etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. https://youtu.be/VK9YBU7J7Gg
CONTACT ME FOR UNIQUE SETUP : vintagemaker@gmail.com
2in1 Active/Passive Filtek 24x4 DB25 in /TRS/XLR out 4xSTM
Price: order
Stereo to Mono input switch: youtube Stereo to Mono function
Frequently being employed at every input and output, as well as between amplifying stages, in many cases. Finding 10 or more transformers in the signal path wasn't uncommon in the 1960s and '70s!
The effect is always greatest for low frequencies, and results mainly in third‑harmonic distortion. Lots of factors in the design of a transformer affect the level of audio distortion, but key amongst these is probably the material used for the magnetic core. Core metals with a high nickel content typically result in the least hysteresis distortion (but tend to be relatively expensive), while simpler, soft‑steel cores tend to give far higher distortion figures but are much cheaper. The factors associated with transformer distortion and character are many and varied, and you can read about them in the 'How Transformers Distort' box overleaf.
source:https://www.soundonsound.com/techniques/analogue-warmth